switched On The Musical Offering Bwv 1079 By Okonsar-noreply

Johann Sebastian Bach is without question regarded by many to be the greatest .poser that ever lived. He has had an extensive influence within the western musical canon; a large number of of the later .posers the fact that all of us ponder important: i.e. Beethoven,Liszt, Chopin, but even Schoenberg too, have esteemed in addition to within a few sense, tried to imitate him. His works are always played throughout churches together with concert halls virtually all over the world, together with there are really millions of cd releases of his music. In the last ten years of his life J. S. Bach started out writing elaborate canonic and fugal explorations of single subjects, including sets of canons about the chorale tune "Von Himmel hoch" together with within the first eight notes of the entire bass-line of his Goldberg Variations theme, and also the entire Musical Offering, gathered for King Frederick II of Prussia inside 1747. The six Brandenburg Concertos (BWV 1046-51), among quite a few other secular .positions, date from his Cothen years. Bach became "Kantor" connected with the particular Thomas School in Leipzig within May 1723 and also kept the actual post right until his dying. It has been throughout Leipzig that he .posed the bulk of his non secular as well as secular cantatas. The Musical Offering ("Musikalisches Opfer" or "Das Musikalische Opfer"), BWV 1079, is certainly a set of canons as well as fugues as well as other pieces of music through Johann Sebastian Bach, every one of based mostly over a single musical theme presented to him basically by Frederick II of Prussia (Frederick the Great), to whom they are typically dedicated. Musical Offering has got its beginnings within a meeting between Bach and also Frederick II on May 7, 1747. The particular get together, taking place at the King’s property inside Potsdam, took place since Bach’s son Carl Philipp Emanuel was basically applied there as court music performer. Johann Sebastian Bach’s The Musical Offering, BWV 1079, consists of sixteen movements and even is certainly a little bit longer than 50 minutes within duration, caused by a struggle to cultivate a theme experienced with regard to the .poser from Frederick the Great. The actual meeting came about on May 7, 1747, and also Bach’s son, Carl Philipp Emmanuel, who typically ac.panied Frederick inside performances of chamber music, organized with regard to both men to meet. According to, J.S. Bach, "the old Bach of Leipzig," has been considered as an author associated with old-fashioned music, nonetheless his improvising abilities happen to be nevertheless famous. Frederick, the King of Prussia, did not necessarily agree to way too sophisticated music, obviously choosing the fashionable "galant" style towards .plex fugues of high Baroque music. In an evident endeavor to confound the particular master, the monarch featured an awkward chromatic subject with regard to the elderly .poser to improvise after, as well as appeared to be astonished through Bach’s dealing with with this "Royal Theme." Subsequently, the improviser insisted that he yet had not necessarily done the theme justice, as well as that he would seek to ac.plish. Eventually that year, The Musical Offering appeared within print, dedicated to Frederick the Great, as well as printed at the .poser’s own expenditure. It proves the maximum arsenal of the Baroque .poser of fugues and also does it together with more fluency .pared to any .poser of the time could have been able to provide. Naturally, it takes into account the monarch’s passion for the purpose of flute playing and provides a prominent part with regard to the particular instrument. Mehmet Okonsar released an entire version of the BWV 1079 realized on electronic instruments. The Belgian pianist (but additionally .poser, conductor and musicologist) Mehmet Okonsar was born within the "bridge-city" of Istanbul. Actually this idea of a "bridge" in between East and West is definitely the main factor in asserting the unique position of this artist in the international classical music stage. Despite the fact that having began his education at Ankara, at the National Conservatory of this city established by Paul Hindemith, he typically maintained that all his "real" musical education has been offered in Belgium. Franz Liszt regarding Mehmet Okonsar is definitely not a juvenile adoration for pianistic exuberance and keyboard "pyro-technie". The education Okonsar attained at the Brussels Royal Conservatory, from Jean-Claude Vanden Eynden, who himself got from Eduardo del Pueyo is in reality a direct heir from the Hungarian master. That is derived from the career of Marie Jaell, a learner of Ferenc Liszt on that each of the manner of Eduardo del Pueyo is certainly created. For the duration of this era associated with chaos who had been the particular 1970’s in Turkey, Okonsar connected on both friendly and professional basis with a pianist and conductor, ex-student of Pierre Sancan. Via this specific camaraderie he figured out basic principles of the keyboard concepts of Pierre Sancan who was the teacher of pianists like Michel Beroff and the student of Yves Nat. Even at his earliest public appearance in 1979, the actual eclecticism of his recital programs in the future could be viewed. He presented a collection of the Preludes by Messiaen among others. The piano studies of Okonsar ended with all the best honors any student could ever get at the Royal Conservatory of Brussels. "Premier Prix avec Distinction", performing the "Dante Sonata" by Liszt and then "Diplome Superieur de Piano Avec la plus Grande Distinction, Premier Nomme", in 1986, executing the Piano Concerto Op. 42 by Arnold Schoenberg. At the conclusion of his piano studies, Okonsar enjoyed the opportunity of working with one of the best .posers of Belgium: Madame Jacqueline Fontyn. He furthermore studied with a pupil of Messiaen, Claude Ballif. In 1989 he gets his degrees in .position-Orchestration from the Royal Conservatory of Music of Brussels. "Basically I do not reside in Turkey but in the Internet" says Okonsar. He’s engineered an incredible reputation on the Web, running various sites, weblogs and publishing businesses. He’s the producer of his own records and books. Mehmet Okonsar’s worldwide career began with the help of the first prize at the International Young Virtuoses .petition of Antwerp in 1982. His orchestral debut was the 3rd Concerto by Rachmaninoff performed at the "de Singel" Concert Hall in Antwerp, Belgium. His additional prizes are: Paris, 1989, "J. S. Bach" at the Salle Gaveau: 2nd prize; 1990, Rome, Association Chopin "Premio Etruria": 1st prize; and 1991, United States, Utah, the sixth prize at the "Gina Bachauer International Piano .petition". Functioning extensively on technical issues, as he .ments "the technology might just "totally free" the artist", his researches were being introduced in a lecture at the Yamaha home office in Hamamatsu, Japan. His repertoire includes a range from the early seventeenth century ("The Fitzwilliam Virginal Book") such as .posers, amongst others, Orlando Gibbons and Giles Farnaby and reaches late 20.th century with all the works by Karlheinz Stockhausen and Witold Lutoslawski. Dominant works with this repertoire are: J.S. Bach "The Art of Fugue" executed on organ (or piano) and harpsichord; the Goldberg Variations, the integrale of Well-tempered Keyboard. Every one of the particular facets of the enormous work by J. S. Bach is undoubtedly delivered with flawless quality as well as essence in picking out "sounds" in addition to "instruments" utilized. A whole lot more "human" .pared to Wendy Carlos, considerably less "affectionate" than Tomita the actual result is actually seriously enjoyable. Two particular inspired alternatives applied by the The multi-faceted music artist Okonsar well worth noting. First he chosen to employ sampled ancient instruments (i.e. viols "da gamba") for the Sonate in Trio. The general sound formulated by those viols and even the block flute is without a doubt remarkable. Subsequently he purposely elected to provide the "endless" canon an absolute endless aspect by not really ending the actual music but alternatively fading out its conclude. Most of the other previous main downloads of the work forever looked like discouraging to my opinion. Generally the orchestrations are generally "too huge" normally pompous. Undoubtedly Okonsar created the most beneficial modern-day choice regarding the instrumentation (which is simply not given within the actual score). The Belgian performer once suggested the fact that in the event that Bach was alive today he might have tried electronic instruments due to the fact he has been constantly fascinated together with the latest sound assets of his particular time period. The .poser, conductor and musicologist as well as pianist Okonsar is undoubtedly an adept of the main "Free Music" ideological background. Every bit of his CD releases end up being shared from the particular autonomous .poser. This is definitely a good solid unique mind-set which in turn, regarding to the musician is going to be of immense profit to both most of the artist, most of the launch as well as the entire classical music scene. Moreover the main number one video sharing site Youtube(r) shows a assortment of the multi-faceted music artist Okonsar’s playing music videos. Many times his .pact disk releases are in addition uploaded as video recordings into the artist’s Youtube(r) channel: mokonsar. 相关的主题文章: